Dept. Q to Dying for Sex: 18 of the best TV shows of 2025 so far

14. Paradise

It’s difficult to discuss the power of this show without giving away the key twist that comes at the end of episode one. But safe to say, it turns what starts as a relatively conventional political thriller on its head. Sterling K Brown is the head of the US president’s security detail, who finds himself accused of murder of his boss – but above and beyond the killing itself, not everything seems quite right with the world. Created by Dan Fogelman, the man behind the equally rug-pulling TV weepie This is Us, this is solid entertainment in the very best sense, with sharp plotting matched by some strong performances, from Brown’s tortured hero to Julianne Nicholson as a sinister tech billionaire. Plus, later on in the series, one particular episode which deals with truly monumental matters is simply breathtaking – but again, that’s all that can be said without spoiling things for those yet to watch. The good news for those that have is that it’s already been recommissioned. (HM)

Available on Hulu in the US and Disney+ internationally 

15. Wolf Hall: The Mirror and the Light 

The sumptuous conclusion to this adaptation of Hilary Mantel’s Wolf Hall trilogy blends a beautifully shot escape into the luxurious past of Henry VIII’s court with an evergreen depiction of the high personal cost of manoeuvring for power and influence. Mark Rylance is poignant as the king’s advisor, Thomas Cromwell, who questions his own decisions, while the mercurial Henry is losing confidence in him. And Damian Lewis’s fresh interpretation of Henry is dazzling, his voice and manner chillingly subdued even as he issues the most ruthless commands. Henry’s wives come and go, but the unravelling bond between these men, and their opposite trajectories – Cromwell’s self-doubts and decline and Henry’s iron will that eliminates anyone in his way – shape the story. Written by Peter Straughn, a recent Oscar winner for his screenplay of Conclave, The Mirror and the Light is more resonant today than the original Mantel book was when it was published in 2020. It feels entirely relevant in a world where creeping authoritarianism is a global concern. (CJ)

Available on PBS in the US and BBC iPlayer in the UK

16. The Narrow Road to the Deep North

Since breaking out in HBO teen drama Euphoria, rising star Jacob Elordi has chosen his roles well – but perhaps nothing has served him better so far than returning to his home country of Australia to play the protagonist in this searing war drama. An adaptation of Richard Flanagan’s Booker Prize-winning novel, it explores the life of World War Two army surgeon Dorrigo Evans across three time periods: his stint stationed in Adelaide for military training, his hellish experiences as a prisoner of war in the Thai jungle, and then his existence as a professionally successful but emotionally deeply troubled veteran (now played by Ciarán Hinds), still unable to truly process the events of decades ago. Brought to impactful visual life by Justin Kurzel, known for his visceral studies of male violence on the big screen like Snowtown and The Order, it is simply one of the best evocations of the horrors of conflict that has been committed to screen. But at the same time, it takes as much care in its exploration of passion as violence, with the chemistry between Elordi’s young Dorrigo and his uncle’s wife Amy (a superb Odessa Young) burning up the screen. Given some of the scenes of sadistic brutality, it is of course a difficult watch, as it should be, but also one whose sheer artistry offers a kind of transcendence. (HM) 

Available on Prime Video in the US, Australia, New Zealand, and Canada and BBC iPlayer in the UK 

17. Your Friends and Neighbors

Jon Hamm has never been better, expertly mixing comedy and drama in this series about a hedge-fund manager called Coop, who loses his job. He schemes to keep up appearances in his wealthy community, only to discover a new sense of himself. The show has a broad comic element, as Coop turns cat burglar, solving his financial problems by stealing luxury items from his neighbours. But the series is best in its bold take on what he calls in one of his mordant voiceovers, “the quiet desperation of rich middle-aged men”, and in its depiction of his complicated relationships. He is still emotionally attached to his ex-wife (Amanda Peet), who left him for one of his friends, and struggles to connect with his two teenage children. He has a tender, supportive bond with his emotionally fragile sister (Lena Hall, a standout in the cast). Hamm hasn’t had a role this rich since Don Draper in Mad Men, another flawed but sympathetic charmer who makes some wildly bad decisions, and defines the character so perfectly that it’s hard to imagine anyone else at the centre of this sleek but penetrating series. (CJ)

Available on AppleTV+ internationally

18. Big Boys

It might have created a little less noise than Adolescence, but here is another British show about masculinity that really deserves to be seen. Jack Rooke’s semi-autobiographical show about two university students who form an odd-couple friendship – nerdy gay man Jack and straight jack-the-lad Dan – has been an incredibly deft mix of laugh-out-loud humour, complete with delightfully niche pop culture references, and poignant drama – covering sexual awakening, depression, dementia and more besides – since it started in 2022. But this third and final series was undoubtedly its most powerful, kicking off with a hilarious episode on a package holiday in Greece but getting more serious as it continued, and handling Danny’s spiralling mental health problems with particular skill. And boy, does Rooke know how to shatter audience hearts – the final episode is an emotional masterclass, including a significant cameo from the man himself. Here’s hoping that it launches its extremely talented creator into the big time. (HM)

Available on Hulu in the US and Channel 4 in the UK

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